The "Study of a Plaster Head," framed in natural oak, portrays a neoclassical sculpture head rendered in sepia tone. The head is slightly oriented to the right, showcasing wavy hair and a contemplative expression. A minimalist gradient of brown shades in the background accentuates the piece's three-dimensional elegance.
The "Study of a Plaster Head" is a framed pencil sketch of a neoclassical statue head in Black Oak, featuring fine, detailed lines and shading. The head, with curly hair and a serene expression, is tilted slightly to the right. The shaded background lends elegance and depth, enhancing the three-dimensional effect.
Introducing "Study of a Plaster Head," a framed monochrome sketch featuring the head of a classical sculpture of a young man with curly hair in a slightly downward-facing profile view. Set against a neutral background and framed in sleek White Oak, this neoclassical piece exudes minimalist elegance, capturing timeless beauty with simplicity and grace.
The framed monochromatic sketch, titled "Study of a Plaster Head," features a neoclassical-style marble bust of a male head with curly hair. The head is turned slightly to the right, and the background is shaded in darker tones, enhancing the minimalist elegance of the Walnut Oak piece.
The "Study of a Plaster Head," framed in natural oak, portrays a neoclassical sculpture head rendered in sepia tone. The head is slightly oriented to the right, showcasing wavy hair and a contemplative expression. A minimalist gradient of brown shades in the background accentuates the piece's three-dimensional elegance.
The "Study of a Plaster Head" is a framed pencil sketch of a neoclassical statue head in Black Oak, featuring fine, detailed lines and shading. The head, with curly hair and a serene expression, is tilted slightly to the right. The shaded background lends elegance and depth, enhancing the three-dimensional effect.
Introducing "Study of a Plaster Head," a framed monochrome sketch featuring the head of a classical sculpture of a young man with curly hair in a slightly downward-facing profile view. Set against a neutral background and framed in sleek White Oak, this neoclassical piece exudes minimalist elegance, capturing timeless beauty with simplicity and grace.
The framed monochromatic sketch, titled "Study of a Plaster Head," features a neoclassical-style marble bust of a male head with curly hair. The head is turned slightly to the right, and the background is shaded in darker tones, enhancing the minimalist elegance of the Walnut Oak piece.

Study of a Plaster Head

$53.00 Sale • Save
Size 9x12
Frame Natural Oak

A classic piece with superb draftsmanship, this study of a greco-roman style bust offers a muted, timeless sensibility to a space. Whether you're drawn the minimalist aesthetic or its neoclassical style, this print adds elegance to any space.

Our Prints: Our archival-quality giclée prints come on a bright-white cold press 300 gsm 100% cotton fine-art paper.

Our Frames: Our oak frames are made from 100% natural Pennsylvania oak wood sourced from the sustainably-managed ​​Allegheny National Forest.

Each pre-assembled frame has a sleek 1.4x1.6 cm profile and shatter-resistant plexiglass.

Learn More: FAQ's

We select the best shipping carrier for your order based on your order details and location.

Production takes 2-3 business days, including all printing, framing, and packaging. You will receive a tracking number once your order has shipped. Shipping within the U.S. takes 2-4 days.

Artist: Jan Veth

Note: This print is based on an original image and may have been modified from its original state. Adjustments may include cleaning up of imperfections, color grading, or resizing and cropping for framing purposes.

Ready to Hang

When purchasing art prints with a frame, your print will arrive framed and ready to hang.

Museum Quality

All art prints are made with advanced, giclée printing on Hahnemühle German Etching paper.

Sustainably Sourced

Our prints are sourced from sustainably-managed forests and printed at an ISO-9001 certified facility.

From the founder

I was ten when I inherited my great uncle's sketchbook. It was filled with brown-ink drawings of his various observations: women's figures, the terrain of New Mexico, the tops of his feet. What possessed me most was the line. It was so sure of itself, excelling in some places yet slow and methodical in others.

I love images and objects that bind the air around them—ones that breathe, even when you're not looking. Achellier is an extension and expression of this adoration, and I welcome you to its collection of works that, for me, hold power, mystique, and timeless beauty. 

— RPL

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